Mania. The history of a cigarette factory worker
Mania, a cigarette factory worker, is chosen to be the face of a new brand. In Alex’s painting atelier, she meets a young composer, Hans van der Hof. They fall in love with each other. Mania becomes Hans’s muse and inspires him to write an opera. Unfortunately, Morelli, an influential patron of the arts, is also enchanted by the beautiful woman.
One of the films that opened the German chapter of Pola Negri’s carer. Her expressive performance with an obligatory dance routine is the highlight of this melodramatic story about love and sacrifice. The film was thought to be lost until 2006 when the National Film Archive bought a nitrocellulose copy from a Czech collector. In 2011, the film was digitally restored in 4K resolution.
This year’s edition of Pre-war Cinema Treasures features Pola Negri (Apolonia Chałupiec, 1897–1987) – the first Polish film star and still the only Pole to make her American dream come true in Hollywood. A historical figure of European and world cinema, vamp, trendsetter and (co-)creator of her own legend.
Films selected for the section were shot in the first period of Pola Negri’s career, a dissatisfied ballerina whose health issues forced her to retire and a budding dramatic actress discovered by Alexander Hertz, the owner of Sfinks Film Studio. Together they made nine films which transformed Negri into the first Polish femme fatale ruining lives of men who fall in love with her. Out of these nine films, only Beast with Pola’s trademark expressive dance routine survived to our times. Mania. The History of a Cigarette Factory Worker is one of Negri’s first films shot in Germany after she infamously broke the contract with Sfinks. Produced by Union, the film was well-received and very popular in Poland, but Negri erased it from her official filmography regarding the co-operation with the film production company UFA and director Ernst Lubitsch as the beginning of her Berlin film career. A few years later, both of them got a ticket to Hollywood.
The two films had an official re-premiere with live music after digital restoration at the National Film Archive, Mania in the autumn of 2011 in Warsaw and Beast at Il Cinema Ritrovato Festival in Bologna (world premiere) and 15th Silent Movie Festival in Warsaw (Polish premiere).
Leonard Buczkowski’s Daredevils, another digitally restored treasure from the National Film Archive, will re-premiere accompanied by live music composed by Stephen Horne in the section titled 100 Years of Independence.
National Film Archive – Audiovisual Institute is a cultural institution protecting and providing access to stored films and audio-visual materials. NFA – AI supervises conservation, digitalisation and digital restoration of films, manages the collection of films and audio-visual materials, educates and contributes to culture. NFA – AI is also a co-producer for film, TV and radio.
NFA – AI digitalisation projects involve protection and restoration of the oldest films recorded on the original invaluable nitrocellulose medium from the period. Miraculously found, more often than not incomplete and badly damaged, they undergo a long process of research, conservation and restoration. Thanks to digital 4K technology, old films are given a new life on the big screen.
Films Mania. The History of a Cigarette Factory Worker and Daredevils were digitally restored in project Nitrofilm:
“Conservation and digitalisation of pre-war feature films at the National Film Archive in Warsaw”.
The project has been co-financed by European Regional Development Fund within the framework of Priority 11: Culture and cultural heritage of the Infrastructure and Environment Operational Programme.
written by Hans Brennert
director of photography Eugen (Jenö) Illés
music (2011) Jerzy Maksymiuk
production design Paul Leni
cast Pola Negri, Werner Hollmann, Arthur Schröder, Ernst Wendt
production Projektions-AG Union
producer Paul Davidsod
digitalization and digital reconstruction Filmoteka Narodowa 2011 (obecnie Filmoteka Narodowa – Instytut Audiowizualny)