In another part of her triptych, Marta Pajek comes back to the concept of the impossible figure, which this time is supposed to illustrate female-male relationships. The animation, full of eroticism, arouses senses, imagination and tensions. The characters meet in a waiting room, at the end of a spiral hall reminding of a labirynth. Why have they come here? Did they know each other before? It doesn’t matter: what matters...

The end of the 1960s and the beginning of an academic year. Students notice that a few names are missing from the list. Józef Moneta intervenes and gets involved in a number of risky endeavours that won’t bode well for his future.

In 1773, clutching at assorted pretexts, Russia, Austria, and Prussia annexed a third of the territory of the commonwealth of Poland–Lithuania. The deed marked the beginning of the process that bereft Poland of independence. Bribed by Russia, members of the polish parliament of 1773 were ready to ratify an act sanctioning the first partition of Poland. The film shows the dramatic moment when deputy Radeusz Rejtan tries to forestall that act of treason.

A documentary record of a formally unconventional interview with Jerzy Skolimowski. Nearly fifty years after the premiere of Identification Marks: None, Skolimowski talks about the genesis of his first feature film. He recalls his meeting and collaboration with Andrzej Wajda, harks back to the student days at film school, reveals behind-the-scenes details of the pre-production stage, discusses some famous scenes, acting and working with Elżbieta Czyżewska, and responds to the praise from Jean-Luc Godard that stood in stark contrast to negative reviews the film received in Poland.

Joanna tastes every moment, although she has been diagnosed with a serious disease. She has promised to her son that she will do everything to be with him as long as possible. She does not give up. For Jaś, she runs a blog in which she describes her everyday life – simply and aptly. The blog becomes inspiration to a mindful and happy life for many readers. The film shows fragments of the life of Joanna, her husband Piotr and son Jaś. Discreet, atmospheric, often funny. Simple, sensational, describing the observation of life and love. A documentary nominated for the 2015 Oscar in the category of the Best Short Film. Awarded and given distinction numerous times in Poland and abroad, it was made as part of a documentary DOK PRO course in the Wajda School.

The title character is an organised arts teacher whose main problem in life is his father – a painter always going from one party to the next. When the father lives through his second heart attack and still refuses to change his lifestyle, Julius will have to find a way to influence his behaviour. It seems the remedy to the protagonist’s problems might come in the person of a carefree vet, Dorota, whom he meets by chance. It turns out, the real trouble is yet to come, though.

The title character is an organised arts teacher whose main problem in life is his father – a painter always going from one party to the next. When the father lives through his second heart attack and still refuses to change his lifestyle, Julius will have to find a way to influence his behaviour. It seems the remedy to the protagonist’s problems might come in the person of a carefree vet, Dorota, whom he meets by chance. It turns out, the real trouble is yet to come, though.

18-year-old Sid differs from his peers who engage in easy and safe plans for the future at the edge of adulthood. He chooses his own path and doesn’t intend to live up to the expectations of his parents or teachers. Expelled from a few schools already, he gets his last chance to take his A-levels. At the new high school he meets people who influence him very much. The dramatic fate of the group of angry young men force Sid to fight not only for friendship but also for the love of his life.