An anonymous protagonist is trying to find a place on a mysterious vehicle. On a bus going to nowhere you may find just about anything.

Forced to retire early because of his health problems, captain Siwy goes back to
an old case which still bugs him. Who was the true killer of the beautiful Ewa
Salm, known across the Warsaw nightclubs as the Princess? Was something
overlooked during the investigation?
The cream of Polish actors in a film deemed to be the best of its genre. Janusz
Majewski’s “The Criminal Who Stole a Crime” is a clash between a crime mystery
and an intriguing film form, it blends paradocumentary elements, shots
from a reporter’s camera and interestingly framed scenes of questionings. The
film’s greatest advantage is, undoubtedly, the realistic picture of Warsaw’s criminal
nightlife, with its dens, collapsing tenement houses of the Praga quarter
and scoundrels hanging around notorious restaurants.
A screen adaptation of Krzysztof Kąkolewski’s novel awarded in a contest organised
by the Headquarters of the Citizens’ Militia.

Mardin, 1915. One night, the Turkish police round up all the Armenian men in the city, including the young blacksmith, Nazaret Manoogian, who is separated from his family. Years later, after managing to survive the horrors of the genocide, he hears that his two daughters are also still alive. He starts searching for them: from the Mesopotamian deserts and Havana to the barren and desolate prairies of North Dakota.

He encounters a range of very different people on his way: angelic and kind-hearted characters, but also the devil incarnate.

Rebbe Nachman, the founder of the Breslov Hasidic movement, taught in Uman (Humań) and Breslov (Bracław). Nachman was born in 1772, four years after rebellious peasants and Cossacks led by Gonta and Żeleźniak had murdered thousands of Uman inhabitants - mainly Jews and Poles.

Every year thousands of Hasidim from all around the world visit Nachman’s grave. It is not to everybody’s liking. The people of Uman accuse the local authorities of corruption and betrayal. The Hasidim, in turn, are outraged at the planned erection of a monument to commemorate Gonta and Żeleźniak responsible for the Uman massacre.

Only the old Wolodia, who takes care of the Jewish cemetery in Breslov, is not interested in these quarrels. In the cellars under his house, in an abandoned synagogue, on the cemetery and in the air drift the countless souls of the dead. Dybbuks - punished spirits, are trying to escape from this world...

In the late ‘50s Fabian, a war emigrant, jazz trombonist and brilliant dancer, returns from England to his sister who lives in Ciechocinek. Together with a group of local eccentrics and amateur musicians he starts a swing big band.

After their first gig people’s interest with the band surpasses all expectations. They receive loads of concert proposals and start to be popular. Fabian meets an intriguing, dark-haired Modesta and asks her to perform with his orchestra.

They soon become lovers. They are stylish, dance fantastically, go to the best restaurants and drive around Ciechocinek in a beautiful convertible brought from England. They are like two colourful birds against the dreary reality. Their looks and behaviour arouse a longing for freedom and prosperity. However, one day Modesta disappears.

A screen adaptation of a well-known novel by Janusz Domagalik. The plot takes place in Silesia. Director Stanisław Jędryka, who comes from Sosnowiec himself, wanted to reflect the distinctive local atmosphere and depict the characteristic landscape of Silesia.
A 14-year-old Jurek comes home from the end of school ceremony and notices that his mother has suddenly left the house. His father, who works at the mine, says that she went to a sanatorium. The boy is reluctant to believe that. He needs to cope with the new reality on his own...

Interests, scores and vengeance will find a brutal end away from the bustling city, in the heart of a quiet pinewood. Soon each of the protagonists of the bloody confrontation will learn their place in the food chain.

John is out of a young offenders’ institution and wants to start his life from scratch. Unfortunately, in the local community he goes back to his crime is neither forgotten nor forgiven. His return triggers the worst instincts in everyone around and lynching is in the air. John feels abandoned by his former friends and his loved ones and starts to lose hope.