Joanna is forced to take her 7-year-old daughter Zosia along on a date. The man she’s meeting doesn’t know she’s got a child. Whatever it takes, the woman wants to hide it from him and so leaves Zosia alone in a bar. She invents a game that will make it possible for her to disappear.

A 20-year-old Justyna arrives in Paris. Marcel was supposed to pick her up from the train station, but he’s not there. A stout black Riki approaches her and introduces himself as Marcel’s friend. Reluctantly, the girl gets in his car.

An interesting piece of cinematic realism. Contrary to most other films of those times the plot does not take place in the drawing rooms of the rich – it speaks of skippers and rafters sailing commercial barges and rafts along the Vistula River. The film was admired for its gorgeous outdoor scenes depicting the beauty of the wild Vistula. It may be interesting to know that the scenes were shot in riverside towns of Zawichost, Kazimierz, Płock and Toruń. The main roles are played by an outstanding drama actress, Stanisława Wysocka, Ina Benita and Jerzy Pichelski.
Thanks to digital restoration we are presenting the film in an incomparably better quality, complemented with five minutes of recovered fragments.

The film is a SF story of a test that a pilot, commander Pirx, is undergoing. During the space flight, he needs to recognise an android among people and assess his behaviour and his ability to make decisions in extreme conditions.
Meanwhile, the android arranges a situation in which a few members of the crew die, while he himself decides to prove his usefulness by landing the spaceship safely…

The innovative Leather Industry Plant was a shoemaking tycoon. The highlanders from the village nearby thought that cattle goes into the plant on one end and shoes out the other.

Can the way you dress become a political declaration? Can you be fashionable in the times when shop shelves offer only working clothes? Is it possible to manifest freedom with you looks?

In the dim days of the socialist country underground fashion flourished. Young people wanted to resemble their peers from New York, London, Paris.

“Political Dress” shows different phases of the Polish People’s Republic and the changes in how fashion was perceived. From hardline Stalinism, when wearing colourful socks meant risking arrest, through the ‘60s and Poland’s relative openness toward the French fashion, the propaganda of the ‘70s and the fascination with hippie style, to the martial law and the ‘80s, and the eruption of punk.

In the depths of a large green wilderness there lives Pompik the Bison. He’s rather small and not as strong, fast or agile as his peers. He’s no good in traditional bison games. Pompik is interested in everything around him. There is no forest mystery he wouldn’t solve. His younger sister, little Polinka, roots for him, although she’s his complete opposite - she’s a bison of action, she’d rather run and jump than brood on things.

Karol and Robert are brothers, living in the hood. Robert works as a security guard, while Karol mostly raps. When Robert gets fired, and boys are about to be evicted from home, they go searching for help to local gangster. They soon realise that it wasn't the best idea.